The downcast mind-set on Friday evening was unpreventable. Shona Ferguson, 47, was no more.

From the beginning, many implored that the news via web-based media was phony. However, as time elapsed, the difficult reality that it was valid soaked in.

As indicated by the representative for Ferguson Films, Shona died from Covid-19-related inconveniences around early afternoon on Friday, July 30, 2021.

What’s more, online media has since been overwhelmed with accolades from industry partners, companions and fans.

Pastor of Sport, Arts and Culture Nathi Mthethwa said: “Shona was an inventive diamond and a visionary.

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“He was a news head honcho, a trend-setter and a pioneer who had a certain aspiration.

“Our considerations and petitions are with Connie and the family during this time.

“Moreover, we stretch out our feelings to the business on the loose. May his spirit find happiness in the hereafter.”

Regardless of whether you knew him actually, through his art or through a possibility meeting, it would have been significant somehow or another.

Shona had a graceful presence with his solid body, brand name tattoos and short, boxed facial hair. His gregarious character made him charming to everybody around him.

At the point when it came to work, he had a decent head on his shoulders. He possessed Ferguson Films with his better half of 19 years, Connie.

They dispatched the creation organization in 2010 and have been on a vertical direction since.

Mzansi commended them as a force couple. What’s more, they really epitomized that name.

Shona and Connie Ferguson. Picture: Instagram

They cooperated and played together. It’s the sort of harmony that is difficult to keep up with, yet they pulled it off without any difficulty.

Their common love of family and for making incredible TV, practicing and going was obvious to any individual who followed them via web-based media.

Shona has a girl, Alicia Angel, with his significant other, just as stepdaughter Lesedi and step-grandson, Ronewa.

The couple head one of SA’s driving creation houses, having given us widely praised contributions like “The Queen”, “The Throne”, “Igazi”, “Rockvillle”, “The Impostor”, “The Gift”, “Unmarried” and “Lords of Joburg”. They additionally dispatched the professions of many promising entertainers.
Obviously, the couple were not safe to debates and endured something reasonable of tempests. Yet, Shona and Connie took it in their step and took care of it with honorable polished methodology.