Kelly Khumalo appears in the latest issue of Moziak magazine where she spoke about the year she’s had.

In the interview with the online magazine, Khumalo opened up about media scrutiny and being in the public eye where she said: “I mean, what can I say? I’m not going to sit here and pretend to be a victim and cry over every bad thing people have said about me. I understand the life I lead and what comes with it and I have grown thick skin over the years and learnt to deal with it.

“Yes, sometimes it hurts, sometimes it cuts deep, but for the most part I have learnt to leave them to it. There will always be doubters and detractors.”

However, the Senzo Meyiwa case brought the singer back into the spotlight after Police Minister, Bheki Cele said police had arrested five suspects in the murder case and leaked documents on social media suggested police were investigating Khumalo’s involvement in Meyiwa’s death.

Social media had a field day with the allegations with many weighing in on her involvement with the case.

Tell us about The Voice of Africa, what made you choose to theme your album around the continent?

This album was rooted in Africa. Anybody who knows me knows I am proudly African and I always encourage Africans to embrace their roots, to unite and to learn about our respective cultures.

The Voice of Africa was really me paying homage to African women, African people and telling authentic African stories using my gift – my voice. Hence the title, The Voice of Africa came about. There are a lot of negative stereotypes about a lot of African things; from our unique spiritual practices, to our medicinal practices, even down to how we view other Africans, so this album for me was also about educating my listeners about this beautiful place we come from.

At a time when a lot of artists were delaying releases, what made you continue to go ahead with your plans?

Well to be honest, most of my album was recorded before lockdown so I wouldn’t say I experienced any delays. One of the songs, Esphambanweni, the vocalists (myself and Hlengiwe Mhlaba) recorded it at separate venues but aside from that, everything else was all done. The only thing left once lockdown began was mixing and mastering and once that was done, we planned a release date and thankfully, we were able to go ahead with it.

For me, I consider myself to be an artist rather than just a musician, and once I complete a body of art I send it out to the world and see what the reaction will be.

Speaking of art, are you never worried that some people will misinterpret your message, like what happened with the Empini music video where people accused you of Blackface?

Can I tell you something? I knew there would be something like that. I knew that despite all the research I had done, and the historical background behind the role I was portraying (the Egyption goddess Bastet), there was going to be someone who looked for the negative in it. So I was prepared for those blackface comments and when they came about, I simply explained my reasoning for the video. Art is always subjective, it can be controversial but only if you don’t have the context. Context is everything.

low it down or something.

…But there are some soulful amapiano songs!

Okay, true. Let me say that I probably won’t do a gqom song, but if it was a smooth and soulful, loungey amapiano song then maybe.

Any message to the country ahead of 2021?

It’s been a long year and I know that we are all tired right now but we still need to remain strong, remain disciplined for some of the months ahead. It hasn’t been easy but part of me believes the worst is behind us. Let’s just try our best to remain strong, remain diligent for these next few weeks or months until we have finally won this battle.